And I got Jim a job as the piano player in the show. Jim initially wanted to work with him, but he was eventually talked into working with me.Īround this time, I got a job in the National Lampoon road show understudying John Belushi. He was good-looking and skinny with long, blond hair. I was in the Rocky Horror Picture Show with him and we worked together in the musical Rockabye Hamlet. I wanted that.” The singer reminisced about his personal and musical relationship with Steinman.Įverybody was saying to Jim, “You have to work with Meat.” And everyone was saying to me, “You have to work with Jim.” I was all for it, but there was this gentleman named Kim Milford. Jim couldn’t do anything or go anywhere that I wasn’t with him or I wasn’t there. “And I was always the centerpiece of his. “Since I met Jim, he has been the centerpiece to my life,” Meat Loaf says. Oh my God! It’s horrible!”īut he stayed remarkably calm for the rest of the interview, tracing their incredible saga from the initial meeting at a New York theater in 1973 to the creation of their 1977 collaborative LP Bat Out of Hell to the difficult years that followed and their final moments together earlier this year. It took two long calls across two days to get it across, and at the end of the first one, Meat Loaf broke down and sobbed uncontrollably over the loss of his friend. Jim Steinman was such a titanic figure in Meat Loaf’s life, that sharing their saga in a single phone call to Rolling Stone after Steinman’s death simply was not possible.
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